#FLUME CONCERT FINISH TIME FULL#

A see-through screen splatted with red paint acted as a visual and artistic experience during her performance. She captivated her audience with an elaborate setup of a large chainsaw-like instrument that played an explosive electronic boom when revved up. Another notable performance of Day 1 was from Arca, an experimental electronic artist who incorporates elements of reggaeton and avant-pop into her music. Flume, noted as the gateway for many young people’s introduction to electronic music, paid respect to his fans from the beginning, playing hits from his 2012 debut album “ Flume” and ending the night with his 2014 remix of Lorde’s “Tennis Court.” Dressed in a red racing suit and opening his set with the heavy bass of a car revving its engine, Flume lit the pier with an energy that lingered far beyond the finish line.

#FLUME CONCERT FINISH TIME FULL#

With two days of sunny skies and foggy nights, Pier 80 transformed into a laser show of booming music, with noise complaints across the bay from Alameda, a few viral videos of crowds hopping barricades, and miles of dancing people with aching backs for nights to come.įestival attendees on Day 1 Day 1 headliner, Flume, took the main stage with full charge, mixing live on stage with a keyboard at each side and surprising his audience with guest singers–including fellow Portola performer Caroline Polachek. In an interview with Billboard, the event’s chief organizer, Danny Bell, aimed to have the festival take on more of an “adult” feel than other electronic music festivals, thus appealing to the older audience in attendance. The EDM scene at Portola seemed to deviate from the current mainstream rave culture, with most crowd-goers notably ditching the neon, kandi-laced rave gear and instead opting for more eclectic tastes across a variety of different genres and trends. 90s rave style was exercised at its core throughout the weekend, hosting a few of the most notable faces of the big beat genre such as the Chemical Brothers and Fatboy Slim, as well as those dominating the contemporary producer scene like Flume and Kaytranada.

Backdropped by an industrial shipping yard, warehouses, and skyscraper cranes, the 21+ festival featured four stages of iconic talent, both new and old, fittingly situated alongside a plethora of disco balls and rolling blue artificial turf. 24 and 25 at San Francisco’s Pier 80, welcoming the biggest pop and electronic music names to the Bay during the two-day event. Goldenvoice’s inaugural Portola Music Festival kicked off the weekend of Sept. Written by Elizabeth Tang and Chevonne Ha photographed by Elizabeth Tang

Flume concert finish time